Bringing Art to Eastbourne
The Society of Eastbourne Artists 1848-2021
British Contemporary Art 15th January 2019
I’ve been thinking a lot about pride recently, an emotion that has both negative and positive connotations… especially at present. There’s the foolishly irrationally corrupt sense of one's personal value, status or accomplishments or that of one’s country.
Conversely, pride is a humble and content sense of attachment toward our (or another's) choices and actions, like that of a loved one or a feeling of belonging. It’s clearly an emotion of the ego but how do we know when it’s well, or misplaced?
I am immensely proud of what my wonderful wife has achieved in just 10 years, from humble vegetable grower to one of the world’s most recognised floral designers. But is all pride truly as misplaced as religions would have us believe… coming before a fall?
I feel pride should be reserved for our accomplishments not our shortcomings, but everyone has a different opinion of what shortcomings and accomplishments are, so how to account the right from wrong? Can a person be proud without being vain, as Jane Austen suggested?
For me it’s the driving emotion behind our pride. If we feel warmth and appreciation for what we, another, or our communities (no matter how widespread) have achieved I feel it’s a positive emotion: one that can be built upon. If anger, envy or resentment is the driving force, however, maybe that’s where it needs to be reassessed. Doing anything in spite of what exists may be that proverbial pride before the fall we’re warned of.
I guess it comes down to the Pharisee and the Publican parable: Will we extol to others the virtues of who we are and what we’ve done, or realise what we’ve done is simply a path to something greater and we are just a small cog in that engine.
And on the subject of extolling the virtues of another, boy do we have some blinding new work for you this month! Just before Christmas, Jilly Ballantyne and Rosanne Barr both added a new piece each to their respective pages. Both Scottish lasses, they're truly united in talent as well!
That popular Julie Brunn added three stunning new images of animals to replace the ones she's sold. Her delicacy of brushwork is a delight to behold, so take the time to check those beauties out!
The inimitable Deborah Walker has added some sublime watercolours to her page. The power and depth they hold belies the medium they are painted in! And our collage queen, Karen Stamper added three newbies too. Such bright colours, they'd be totes fab on any wall!
Lovely Nancy Wood dropped in with an incredible epoxy resin artwork with seams of gold that looks like a natural wonder. How does she do that!? And on the subject of colour, Daniel Cole's five beautiful new pieces have a synergy of blue that I'm convinced he could patent. Gingerpeachy!
I'm totally in love with these 8... yes eight! new Tony Parsons', especially the Emperors. There's so much movement in his works, no matter what he paints, he can do no wrong for me... and you?
And finally, Claire Henley has been beavering away at her easel for us and got these two gems in just in time for the newsletter. So if you're fans of Tenby, Rock or Padstow, these two are gonna be right up your street!
So there it is for another month. We were one year old on 1st January! Thanks so much for all your support, friendship and custom in 2018, making it one of the most successful projects I've ever created. And here's to another 12 months of success for you too, whatever your undertaking.
Mark David Hatwood FRSA
0752 7777 416
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